Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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The Record
11:34 am
Tue July 29, 2014

East Nashville Rocks

Andrija Tokic in his East Nashville studio, The Bomb Shelter.
Joshua Shoemaker Courtesy of the artist

How do you know you are in East Nashville? Follow the beards, a current joker might say. If you do, you'll find yourself in an area tucked in between Nashville's neat downtown and the city's eastern edge, separated from each by the twisting Cumberland River. To the west, tourists flock to the Country Music Hall of Fame and Ryman Auditorium — the "Mother Church of Country Music." The Opryland complex — the venerable stage and radio show's comfortably suburban home since 1974 — is to the east, where the city sprawls into malls, hotels and tourists attractions.

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The Record
8:52 am
Thu July 24, 2014

First Watch: Maddie & Tae, 'Girl In A Country Song'

Maddie Marlow and Tae Dye.
Republic Records

Originally published on Mon July 28, 2014 11:14 am

It's starting to seem like even the bros are tired of bro country. The truck-loving Florida Georgia Line has switched up its game with the chart- dominant "Dirt," a sensitive ballad about marriage and farming.

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The Record
8:33 am
Thu July 3, 2014

The Hits Of Yesterday And Today

Paramore's "Ain't It Fun" was originally released on Paramore in April 2013, but the single hit radio in February and hasn't left since.
Mike Coppola Getty Images

Originally published on Thu July 3, 2014 1:48 pm

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The Record
11:57 am
Thu June 26, 2014

He'll Be There For You

You've Got A Friend: Ed Sheeran's second album, X, released this week, sets out to prove that the "friend zone" doesn't have to be toxic.
Ben Watts Courtesy of the artist

Originally published on Fri June 27, 2014 9:36 am

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The Record
3:31 pm
Wed June 11, 2014

A Gentle Buzz At The CMA Music Festival

During the CMA Festival in downtown Nashville, Miranda Lambert (left) welcomed Carrie Underwood for a duet on their hit "Somethin' Bad."
John Russell CMA

American music festivals used to be mostly a summer thing, but in many ways they now frame the concert experience all year round. In these temporary hot spots for pleasure and cultural conversation, new artists emerge as sensations and established ones do special things with fans. Culture watchers note fashion trends and predict whose careers will rise and fall by observing what emerges from festivals' impromptu communities.

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All Songs Considered
7:03 am
Mon June 2, 2014

Miranda Lambert's 'Priscilla,' An Ode To 'Being Queen Of A King'

Miranda Lambert's album, Platinum, comes out on June 3.
Randee St. Nicholas Courtesy of the artist

Originally published on Tue June 3, 2014 8:56 am

Pop stars are the ideal companions of their fans' daydreams, speaking their most romantic hopes and defiant declarations through the songs on the Top 40. Miranda Lambert, however, is the kind of friend who's not going to take anybody's bull. As country's most lauded million-selling artist, beloved by everyday listeners and critics alike, Lambert has crafted a body of work grounded in the realism of muscle, flesh and heart.

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The Record
11:39 am
Tue May 13, 2014

Why Tori Amos Connects

Tori Amos on stage in Glasgow, three days before the release of her 14th studio album, Unrepentant Geraldines.
Ross Gilmore Redferns via Getty Images

Originally published on Mon May 19, 2014 5:40 pm

When I spent time on tour with Tori Amos a decade ago, collaborating with her on a book, I'd see her invoke the four elements many nights before her band would take the stage.

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The Record
2:42 pm
Thu May 8, 2014

Is It Worth It To Work It?

The album cover for Lily Allen's Sheezus goes after multiple targets, including Kanye West (in the album's title) and Queen Elizabeth II (the corgis).
Courtesy of the artist

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The Record
12:07 pm
Thu April 17, 2014

God, Drugs And Lizard Aliens: Yep, It's Country Music

Sturgill Simpson's second album, Metamodern Sounds In Country Music, takes inspiration from both Ray Charles and research into near-death experiences.
Crackerfarm Courtesy of the artist

Originally published on Wed June 18, 2014 8:51 am

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The Record
10:41 am
Tue April 15, 2014

Why We Fight About Pop Music

Kanye West performing in New York City, 2012
13thWitness Getty Images for Samsung

Originally published on Wed April 16, 2014 2:03 pm

In 2007, the Canadian music critic Carl Wilson published a book-length experiment in extreme aesthetic sport: a sincere and shockingly comprehensive study of music he had already decided he hated. That book, Let's Talk About Love, named for the Celine Dion album it studied, has become a cornerstone text in the school of criticism known as "poptimism," because it treats seemingly disposable pop music as worthy of serious thought.

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