Arts & Life

This interview was originally broadcast on October 10, 2011.

Can people really change? That's the question Laura Dern and Mike White ask in their HBO series Enlightened, the second season of which begins Jan. 13. The show features Dern as Amy Jellicoe, an ambitious executive who has a nervous breakdown at her workplace. She goes to a rehabilitation center in Hawaii, where she experiences an awakening.

If you're running out of time for holiday shopping and you can't stand to buy another gift card, there's still hope.

Over the last few holiday shopping seasons, I've become something of a specialist in hunting down specific DVD and Blu-ray sets that will most appeal to friends and family on my list. I usually have a pretty good inkling of these things: My sister gets the art-house movies. My uncle gets the old-school sitcoms. My nephew gets anything that involves baseball, superheroes and/or ice road truckers (don't ask).

The Christmas season is when retailers make the bulk of their profits, Hollywood blockbusters rake it in, and Broadway theaters are filled to capacity. In recent seasons, Broadway has even staged special limited-run holiday musicals — among them, adaptations of A Christmas Story and Elf — to take advantage of the hordes of tourists in New York looking for entertainment. But with production costs so high, how can these shows make their money back? The answer, it turns out, is complicated.

For more than 35 years, riders on the New York City subways and buses during their daily commute were graced with posters of beaming young women. While the women featured in each poster — all New Yorkers — were billed as "average girls," they were also beauty queens in the nation's first integrated beauty contest: Miss Subways, selected each month starting in 1941 by the public and professionally photographed by the country's leading modeling agency.