Fresh Air on WFAE

Monday-Thursday at 8:00 p.m., Sundays at 3:00
  • Hosted by Terry Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators. 

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Former Daily Show correspondent Jordan Klepper remembers a time, not so long ago, when he was barely aware of far-right media outlets like Alex Jones' Infowars and Breitbart News. That changed during the 2016 presidential race.

"I was going out into the field and covering a lot of Trump rallies and talking to people," Klepper says, "and they were getting a lot of their ideas and their news from these far-right sources. So what first felt fringe, suddenly felt mainstream."

The classic coming-to-New-York story was a mashup of a few pleasurably predictable elements: a young person with dreams bigger than his or her bank account, a few roach-ridden apartments and crummy jobs, some eccentric friends and neighbors, and a couple of requisite hard knocks before ... success!

America's war in Afghanistan is the longest war the U.S. has ever fought. Beginning a month after the terrorist attacks of Sept. 11, 2001, the initial mission was to remove the Taliban from power and destroy the al-Qaida terror network. Now, nearly 17 years later, Pulitzer Prize-winning journalist Steve Coll points out that the war's goals have changed.

If you're a fan of thrillers, you know that they're defined by two extremes. At one end are the plot-driven worlds that work like clockwork machines (for instance, Murder on the Orient Express); at the other are the stories that sprawl outward to offer a portrait of the larger society (like James Ellroy's Los Angeles or Stieg Larsson's Sweden). As it turns out, I've recently come across an enjoyable example of each extreme.

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