Susan Stamberg

Many, many Thanksgivings ago, my fiance took me home to Allentown, Pa., to be inspected by his family. During our visit, my mother-in-law-to-be served a relish so delicious that I married her son.

Ever since, I've shared the recipe with NPR listeners right before Thanksgiving. Now, supportive listeners may be shocked to learn that over the years, I've gotten a good deal of grief about this recipe — especially from my NPR colleagues, many of whom have never bothered to taste it!

A big blue rooster has appeared on top of the National Gallery of Art in Washington, D.C. It's part of the museum's renovated East Building, which recently opened to the public with several new exhibitions — including a handful of pictures by the highly regarded German art photographer Thomas Struth.

"Do you know how many words there are in 80 minutes?" asks actress Kathleen Turner. "My god!"

Turner is referring to The Year of Magical Thinking, a play based on Joan Didion's 2005 memoir. The book was written while Didion's daughter was in a deep coma, and after her husband of 40 years suffered a fatal heart attack. In her role as Didion, Turner is the only one on stage. "It's very lonely," she says.

Artist David Hockney is obsessed with looking. He looks and looks; and then, in his works, he makes us see what he sees.

The artist says looking and showing are as old as time. "I think the first person to draw an animal on a wall would have perhaps been watched by someone. And then, when he'd got the animal down, the person would've grunted or something, and said, 'I've seen something like that.' "

Barbie at the Louvre?! Sacré bleu! But it's true — the impeccably dressed blonde bombshell has her very own exhibition in Paris. As a '70s feminist, I've always disparaged that doll — a wasp-waisted, clothes-horse, sex pot. But for all the Barbie lovers out there, I paid a visit to the lavish exhibition at the Musée des Arts Décoratifs at the Louvre Palais.

Twentieth century painter Romaine Brooks introduces herself in a 1923 self-portrait: She wears a narrowly cut, long, black riding jacket with a white blouse. She has short cropped hair, and her eyes are shadowed by a black high hat. There's the slightest smudge of maybe pink on her lips — otherwise the whole portrait is black and various shades of gray.

In Paris, a really old dress has sold for more than $150,000. Now, if that sounds like an unreasonably high price tag, keep this in mind: The 1730s dress is in mint condition, it might have been worn at Versailles, and it was part of a fashion revolution.

Known as a robe volante — or flying dress — the long, luscious yellow brocade gown is patterned with silver thread. It's loose-cut, with soft pleats in the rear, a deep V in front and graceful flow-y sleeves.

Georgia O'Keeffe, Edward Hopper and George Bellows were very different artists, but they did have at least one thing in common: They all studied with painter William Merritt Chase. Now, the Phillips Collection in Washington, D.C., is marking the centennial of the artist's death with a retrospective.

"You walk around these galleries and the paintings are gutsy and bold and scintillating and brilliant," says Dorothy Kosinski, director of the Phillips.

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How does an artist know when a work is finished? Sometimes it's a deliberate decision. Other times, the decision is made by fate or circumstance. Now, an extensive exhibition at The Met Breuer Museum in Manhattan is exploring great works of unfinished art.

The Unfinished show has an intriguing subtitle: "Thoughts Left Visible." The exhibit showcases works made over some 600 years, which offer glimpses into the creative process and sometimes reveal artists' anger or despair.

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