Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR.

Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. An NPR "founding mother," Stamberg has been on staff since the network began in 1971.

Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for Morning Edition.

One of the most popular broadcasters in public radio, Stamberg is well known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti.

Prior to joining NPR, she served as producer, program director, and general manager of NPR Member Station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. Talk: NPR's Susan Stamberg Considers All Things, chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's All Things Considered Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, and the Distinguished Broadcaster Award from the American Women in Radio and Television.

A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

How does an artist know when a work is finished? Sometimes it's a deliberate decision. Other times, the decision is made by fate or circumstance. Now, an extensive exhibition at The Met Breuer Museum in Manhattan is exploring great works of unfinished art.

The Unfinished show has an intriguing subtitle: "Thoughts Left Visible." The exhibit showcases works made over some 600 years, which offer glimpses into the creative process and sometimes reveal artists' anger or despair.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

When Louis XV, King of France, first met the woman who would become his chief mistress, she was dressed as a domino, and he was dressed as a plant. It was 1745, and Jeanne Antoinette Poisson, the pretty young woman who would become Marquise de Pompadour, had been invited to a masked ball at Versailles. If this sounds like a chance meeting, it wasn't — her family had been strategizing to orchestrate this very moment for years.

Writer Michael Schulman conducted 80 interviews for Her Again, his new biography of Meryl Streep. He talked with her friends and colleagues, read articles, letters and commencement addresses — but he never actually talked with Streep herself.

Los Angeles is a city of extremes: There are neighborhoods so luxurious only millionaires can afford them and neighborhoods so poor that residents work several jobs to pay the rent. Now, a young LA painter is bringing these neighborhoods together on his canvases.

Los Angeles is a city of extremes: There are neighborhoods so luxurious only millionaires can afford them and neighborhoods so poor that residents work several jobs to pay the rent. Now, a young LA painter is bringing these neighborhoods together on his canvases.

In the 19th century, French artists started getting creative with black materials— chalk, pastels, crayons and charcoal — some of them newly available. Now, a show called Noir at the J. Paul Getty Museum in Los Angeles celebrates the dark.

"Black can be intense and dramatic," says Timothy Potts, director of the Getty. "I mean it's dark, it's the color of the night, of the unknown, of the scary."

You don't expect a bunch of 80-pluses to be working up a sweat, but at the Motion Picture and Television Fund gym, they do. An exercise instructor encourages them. "Squeeze your tush. ... Tushies, tushes, tushies. Squeeze your buns," she urges.

Eleven-year-old Neel Sethi is about to be kidnapped by monkeys. Rigged up to a harness in front of a blue screen, he prepares to run, leap and cavort — a live-action dance that will later be mixed with computer-generated animals.

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