Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

Quick announcement, before we get started: During the month of April, Pop Culture Happy Hour will be available a day early, exclusively in the NPR One app. Nothing else will change; the show will otherwise appear in your feeds and on this site first thing Friday morning. But for those who use NPR One, or who've been thinking about trying it, you'll get a little head start.

At the end of a grueling Academy Awards race, we at Pop Culture Happy Hour like to unwind with a good, long talk we call our "Oscars Omnibus" — a roundup of our thoughts on all the Best Picture nominees, notable acting nominees, and issues and themes surrounding the prior year in movies. This year gave us plenty to chew on, as you can imagine, and as you can hear for yourself on this page.

Sometime tomorrow, Linda Holmes and I will break down Monday night's Grammys telecast in a Small Batch edition of Pop Culture Happy Hour. And, for a variety of reasons, we're not likely to spend much time on the awards themselves.

Pop Culture Happy Hour entered this week juggling a couple of problems. For one, a gigantic blizzard had just dumped roughly two feet of snow on the D.C. area, making transportation virtually impossible and, it turns out, stranding Glen Weldon in a Virginia cabin for much of the week. Getting the gang together would be no easy task.

A few months ago, Code Switch lead blogger Gene Demby turned to Twitter in an attempt to crowd-source a solution to a problem he'd been having. Gene had begun watching Premier League soccer but couldn't settle on a rooting interest, so he asked the league's fans to convince him to root for one team or another.

Frank Sinatra was born 100 years ago this past Saturday, which at NPR can mean only one thing: an opportunity to talk to the biggest Sinatra superfan we know, business reporter Sonari Glinton, about the singer's formidable legacy.

Months had passed between live Pop Culture Happy Hour tapings, so when the time finally came to record in front of a crowd, we made sure to supersize the festivities in every possible way. That meant recording on a weekend, on a holiday — on Halloween, no less! — in the biggest venue we've ever played, Washington, D.C's Howard Theatre.

Baseball is a game of ritual and routine, and traditions aren't adopted lightly. But in the past 20 or so years, major-league stadiums have adopted a system in which each home-team batter takes the plate to his own theme song — usually a piece of popular music announcing his arrival. It's often something brawny and massive, like "Welcome To The Jungle" or the Game Of Thrones theme or any number of Metallica songs, or swaggering, like Aloe Blacc's "I'm The Man." But sometimes, the players throw... well, curveballs.

On Sept. 8, Stephen Colbert made his debut in David Letterman's spot as host of CBS's Late Show, a role he took over after Letterman's retirement and the conclusion of his own nine-year run at the helm of Comedy Central's Colbert Report. This week's Pop Culture Happy Hour panel — Glen Weldon, Code Switch lead blogger Gene Demby, super-librarian Margaret H. Willison and me — is unanimous in its fondness for Colbert, but our feelings for The Late Show With Stephen Colbert are mixed.

When Gene Demby and I were planning this week's sports discussion, we didn't say, "We should sit down Monday to discuss the U.S. Open." We'd planned to discuss Serena Williams, the most dominant player in women's tennis, who was expected to complete a rare Grand Slam in Saturday's final. (To win a Grand Slam, a player must win the Australian Open, the French Open, Wimbledon and the U.S. Open in a single calendar year. The last woman to accomplish the feat was Steffi Graf in 1988, though Williams had technically won all four majors in a row leading up to this year's U.S. Open.)

Pages