Stephen Thompson

We thought this episode was going to be all about The Dark Tower, a new movie adaptation of Stephen King's ambitious series of novels. Then... we saw The Dark Tower, which attempts, at least in part, to condense 4,000-plus pages into a 95-minute movie. We didn't like it — and, more to the point, we didn't think it was interesting enough to warrant a whole segment of Pop Culture Happy Hour.

With host Linda Holmes still in Los Angeles, where she's attending the Televisions Critics Association press tour, Glen Weldon and I have assembled without her for a discussion of director Kathryn Bigelow's new film, Detroit. We're joined by our pals Gene Demby (from NPR's Code Switch) and Aisha Harris (who hosts Slate's Represent podcast).

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Last month, Mutual Benefit released an album-length cover of Vashti Bunyan's 1970 classic Just Another Diamond Day — an act of tribute initiated as part of an ambitious series by the website Turntable Kitchen.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

This week's episode of Pop Culture Happy Hour coincides exactly with Netflix's release of GLOW, a 10-episode TV series starring Alison Brie, Betty Gilpin and Marc Maron. Presenting a fictionalized history of the late-'80s syndicated TV show GLOW: Gorgeous Ladies Of Wrestling, GLOW carries the formidable DNA of executive producer Jenji Kohan (Orange Is The New Black, Weeds) and producers Liz Flahive (Nurse Jackie, Homeland) and Carly Mensch (Orange Is The New Black, Weeds, Nurse Jackie).

The Lone Bellow's earnest and magnetic folk-pop was built to shake the rafters: It's hooky and rousing and performed with absolute commitment. It has been since the beginning, from the band's charming, self-titled 2013 debut through the Aaron Dessner-produced Then Came The Morning two years later. And, if a new song called "Time's Always Leaving" is any indication, it'll carry on through the release of The Lone Bellow's third album, Walk Into A Storm.

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