Michael Schaub

Michael Schaub is a writer, book critic and regular contributor to NPR Books. His work has appeared in The Washington Post, The San Francisco Chronicle, The Portland Mercury and The Austin Chronicle, among other publications. A native of Texas, he now lives in Portland, Ore.

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Book Reviews
7:03 am
Tue June 16, 2015

We're All Looking For A Home 'In The Country'

Lydia Thompson NPR

Originally published on Tue June 16, 2015 7:31 pm

In "The Miracle Worker," one of the nine stories that make up Mia Alvar's debut collection In the Country, a wealthy Bahraini woman hires a Filipino special education teacher to try to coax some communication from her daughter, a profoundly disabled girl with extensive physical deformities. The mother wants nothing more than for her daughter to be "normal." She explains to the teacher: "Often people do not love difference."

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Book Reviews
7:03 am
Tue May 26, 2015

Learning To Love, And Forgive, In Brilliant 'Day'

Originally published on Tue May 26, 2015 5:52 pm

Warren Duffy is having a bad year. The comic book store he opened in Cardiff, Wales, has shut down, leaving him in debt to his angry ex-wife. He habris come home to Philadelphia to claim the inheritance left to him by his late father — a roofless, possibly haunted mansion that's only inhabitable in the most technical sense of the word. And he's basically broke, forced to make pocket money by drawing pictures at a comic book convention, where, because he's biracial, he's shunted into the "urban" section.

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Book Reviews
7:03 am
Tue May 19, 2015

'Sophie Stark' Finds It Hard To Learn How To Be Human

Ariel Zambelich NPR

Originally published on Tue May 19, 2015 9:40 am

Toward the beginning of The Life and Death of Sophie Stark, an actress reflects on her decision to leave West Virginia for New York City. Her first few days in the city are disastrous; she moves from bad job to bad job while living in a basement apartment with a dirt floor. "I felt like I'd come to a place for people who didn't know how to be people," she says, "and if I was there I must not really know how to be a person either."

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Book Reviews
10:03 am
Wed May 13, 2015

'Zombie Wars' Documents An Apocalypse Of Bad Decisions

Emily Jan NPR

Originally published on Wed May 13, 2015 12:06 pm

Joshua Levin has some great ideas. Well, some ideas, anyway. The would-be writer keeps a list of possible high-concept screenplays — everything from a script about aliens disguised as cabdrivers (Love Trek) to a treatment of a "riotous Holocaust comedy" (Righteous Lust). But in real life he's a Chicago ESL teacher who can never seem to follow through — the movies he envisions are all too esoteric, too depressing. As his Bosnian acquaintance Bega reminds him, "American movies always have happy ending. Life is tragedy: you're born, you live, you die."

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Book Reviews
10:03 am
Tue May 12, 2015

The Artistry Fails In 'Trompe L'Oeil'

Originally published on Tue May 12, 2015 6:15 pm

Even for the most talented artists, the trompe l'oeil is one of the most difficult techniques to master. The painter has to create three dimensions out of two, constructing an illusion, tricking the eye of the viewer. If it works, the results can be stunning; if it doesn't, the artwork looks forced and confusing.

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Book Reviews
11:28 am
Tue May 5, 2015

No Easy Answers In 'The Book Of Aron'

Courtesy of Alfred A. Knopf

"My mother and father named me Aron, but my father said they should have named me What Have You Done, and my uncle told everyone they should have called me What Were You Thinking." These are the first words of Jim Shepard's Holocaust-themed novel The Book of Aron, the reader's first introduction to the book's chronically depressed and likely doomed protagonist. Aron Różycki is a young boy when the story begins; by the end, after the Germans have occupied Warsaw and forced the city's Jews into a ghetto, he's older in ways that time can't measure.

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Book Reviews
7:43 am
Tue April 21, 2015

'One Of Us' Is A Difficult, Unforgettable Look At Tragedy

Emily Jan NPR

Originally published on Tue April 21, 2015 12:29 pm

One of Us opens with a girl running for her life. She and her friends are being stalked, hunted by a young man in a police officer's uniform on the small Norwegian island of Utøya. They lie down in the woods, pretending they're dead, hoping the man will see them and move on. He doesn't. He shoots the girl in the head, shoots her friends in their heads, point-blank, execution-style. In search of new victims, the man moves on. But almost four years after that July day when 77 people, many of them children, were slain in cold blood, the nation of Norway still struggles to move on.

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Book Reviews
7:18 am
Wed April 15, 2015

'The Fishermen' Ventures Into Dark Waters

Courtesy of the Hachette Book Group

Originally published on Wed April 15, 2015 12:19 pm

"Omi-Ala was a dreadful river," explains Ben, the young narrator of Chigozie Obioma's The Fishermen. "Like many such rivers in Africa, Omi-Ala was once believed to be a god; people worshipped it." But everything changed when Europeans colonized and Christianized the part of Nigeria where the river lay. "[T]he people, now largely Christians, began to see it as an evil place. A cradle besmeared."

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Book Reviews
7:03 am
Sat April 11, 2015

Autobiographical 'Indian' Probes A Painful Past

"How are you meant to behave?" asks Jón Gnarr in his autobiographical novel The Indian. "What are these invisible rules that I don't know? What is 'normal'?" It's possible that Gnarr, the punk rocker turned comedian turned mayor of Reykjavík has never known what normal is, and thank goodness for that.

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Book Reviews
10:03 am
Wed April 8, 2015

Love, Violence And Lou Reed, On Display In 'The Water Museum'

Emily Jan NPR

Originally published on Wed April 8, 2015 3:30 pm

There's a telling moment in one of the stories in Luis Alberto Urrea's The Water Museum, when two high school friends are talking about their mutual love for Velvet Underground. "You like Berlin?" asks one of the boys. "Lou Reed's best album, dude!" A lot of Reed's fans (including this one) would agree, but it's a controversial record — it's certainly one of the most depressing rock albums in history, heavily suffused with references to suicide, violence and drug abuse.

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