Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

Pages

Movie Reviews
5:03 pm
Thu September 26, 2013

For Richer And For Poorer, But What Of That Vanishing Middle?

Former U.S. Labor Secretary Robert Reich, now a professor at the University of California-Berkeley, takes a look at growing income disparity in Inequality for All.
Radius/TWC

The U.S. financial sector's 2007-2008 swoon hurt a lot of people, but it's been a bonanza for documentary filmmakers with an interest in economics. The last five years have seen dozens of movies about the dismal science, most of them pegged to the Great Recession.

The latest is Inequality for All, a showcase for former U.S. Labor Secretary Robert Reich. (He served under Bill Clinton, who borrowed much of his fellow Rhodes scholar's rhetoric, if fewer of his prescriptions.)

Read more
Movie Reviews
5:03 pm
Thu September 19, 2013

From Lebanon To Israel, With An Olive Tree In Tow

Zaytoun follows Yoni (Stephen Dorff), an Israeli fighter pilot, and Fahed (Abdallah El Akal), a young Palestinian boy, as they travel together and form an unlikely bond.
Eitan Riklis Strand Releasing

Originally published on Sun September 22, 2013 8:27 am

Israeli director Eran Riklis often depicts characters separated by borders. In The Syrian Bride, a Druze woman leaves Israel to marry, knowing she can never return to visit her family; in Lemon Tree, a privileged Israeli woman and a disadvantaged Palestinian regard one another warily from opposite sides of the fence between free and occupied territory.

Zaytoun is different: This time, the director allows his characters to cross the frontier. That makes for a story that's sweeter, but also less convincing.

Read more
Movie Reviews
5:03 pm
Thu September 12, 2013

From A Saudi Director, A Familiar Story Made Fresh Again

All Wadjda (Waad Mohammed) wants is her own bicycle — but as Haifaa Al Mansour's film illustrates, that's a tricky proposition for a young girl living in Saudi Arabia.
Tobias Kownatzki Razor Film/Sony Pictures Classics

Wadjda is the sort of lovable young hustler we've seen in scores of films — a 10-year-old who wants something and will lie, threaten and cajole to get it.

But Wadjda's familiar premise is transformed by its unexpected location: The movie's protagonist lives in Saudi Arabia, and what she wants, even if she doesn't exactly realize it, is freedom.

Read more
Movie Reviews
5:09 pm
Thu September 5, 2013

Qwerty Can Be Flirty, If We're In '50s France

Ses Doigts, Sont Adroits: Deborah Francois proves adept with the titular typewriter in Populaire.
Jair Sfez The Weinstein Co.

Devotees of '50s Hollywood comedies could have a great time at Populaire, an intentionally lightweight ode to romance and, uh, typing. But the way to enjoy this French souffle is to concentrate on the scrupulously retro music, costumes and set design, not on the musty fairy-tale script.

Read more
Movie Reviews
6:14 pm
Tue August 27, 2013

Dark Wings Over Tokyo, With A Dash Of Feline Mystery To Finish

More than 20,000 crows, by recent estimates, live alongside the 13 million human inhabitants of Tokyo; Tokyo Waka tells their story — and meditates on the meaning of their persistence in one of the world's greatest cities.
Stylo Films

Western movies usually film Tokyo through a lens clouded by preconceived notions. California documentarians John Haptas and Kristine Samuelson sidestep that pitfall by downplaying human views. Their Tokyo Waka: A City Poem looks at the Japanese megalopolis from the vantage point of its abundant crows.

Read more
Movie Reviews
6:37 pm
Tue August 20, 2013

Good Vs. Evil, Once More With (So Much) Feeling

Jace helps Clary as she sets about uncovering the truth about her unsuspected heritage as one of the chosen few who defend humans from things supernatural, and also he is pretty and blond and dreamy and distracting.
Rafy Sony/Screen Gems

Originally published on Fri August 23, 2013 1:22 pm

It's time for mom and Clary to have the talk.

No, not that talk. Jocelyn (Lena Headey) needs to tell teenage Clary (Lily Collins) about angels and demons, vampires and werewolves, magic chalices and sacred blood — not to mention hidden sanctuaries, interdimensional portals, the identity of her father and the existence of an unknown brother. Plus something nutty about J.S. Bach.

No wonder she's been putting it off.

Read more
Movie Reviews
5:03 pm
Thu August 15, 2013

Lives And History, Through The Eyes Of Big And Small

Forest Whitaker turns in a reserved performance as Cecil Gaines, butler to eight U.S. presidents, including Robin Williams' Dwight D. Eisenhower, in a Lee Daniels drama based on the true story of a White House veteran.
Anne Marie Fox The Weinstein Co.

Originally published on Thu August 15, 2013 6:59 pm

In their approaches to history, Joshua Michael Stern's Jobs and Lee Daniels' The Butler could hardly be less similar. The former is an example of Victorian-style great-man biography, updated for the iThings era. The latter observes monumental events, mostly involving the civil rights movement, from an Everyman's perspective.

Read more
Movie Reviews
5:03 pm
Thu August 8, 2013

'Deep Throat's' Lovelace, And The Linda She Used To Be

Amanda Seyfried plays girl-next-door porn star Linda Lovelace, who'd become a sensation in 1972's Deep Throat but later denounce her manager-husband (Peter Sarsgaard) as abusive and manipulative.
Dale Robinette Radius TWC

Originally published on Fri August 9, 2013 11:25 am

Cinema routinely peddles images of beautiful people in romantic situations, not to mention gauzily idealized visions of passion and intimacy. So it's a little counterintuitive when filmmakers depict sex as perilous — even when that's exactly what they've signed up to do.

Read more
Movie Reviews
5:53 pm
Thu August 1, 2013

Washington, Wahlberg Are Bad Boys, And Whatcha Gonna Do?

Bobby and Stig (Denzel Washington and Mark Wahlberg) are two hypermacho hoods who've teamed up to rob a bank — but wait, are they really the bad guys they say they are?
Patti Perret Universal

Hypermacho but tongue-in-cheek, the first 20 minutes of 2 Guns are enormous fun. Tough guys Bobby and Stig (Denzel Washington and Mark Wahlberg) bicker and flirt — with a pretty diner waitress, and with each other — while casing a small-town Texas bank.

Then they set the diner on fire, don masks, and knock over the bank for $43 million, all while taking care to save any cops from getting hurt and even kissing an available baby. The heist, it would seem, has gone according to plan. Yet something's a little off.

Read more
Movie Reviews
5:03 pm
Thu August 1, 2013

Beyond Earth's Gravity, A Space Opera Goes Flat

Daniel Luxembourg (Christian Camargo) is chief scientist on a doomed mission to one of Jupiter's moons in Europa Report, a found-footage whatdunnit with sci-fi-thriller ambitions.
Magnolia

In space, not many people can hear you scream. In fact, traveling in a manned spacecraft is probably a bit like working on a soundproof movie set — which is plainly where Europa Report was shot.

Tricked up with split screens and digital-video glitchery, this low-budget sci-fi saga emphasizes the claustrophobia and monotony of a long journey beyond Earth's gravity. But it also borrows gambits from horror movies, withholding information and eliminating characters one by one.

Read more

Pages