Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
5:03 pm
Thu April 16, 2015

'Monkey Kingdom' Is Best When It's All Monkeys All The Time

Monkeys on Castle Rock from Disneynature's Monkey Kingdom.
Jeff Wilson Disney

Originally published on Fri April 17, 2015 4:44 pm

As much fun as a tree full of toque macaques, Monkey Kingdom is arguably the most entertaining of Disneynature's eight features. But purists will recoil as soon as The Monkees theme enters, and there are times when the story told by narrator Tina Fey probably doesn't reflect the extraordinary images directors Mark Linfield and Alastair Fothergill captured.

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Movie Reviews
5:41 pm
Thu April 9, 2015

Listening To The Ho-Hum Of The Machine

Sonoya Mizuno and Alicia Vikander in Ex-Machina.
A24 Films

The latest British movie to play the imitation game, Ex Machina, is the directorial debut of novelist-screenwriter Alex Garland. This time, the stakes are higher than the Nazi conquest of Europe. The talky sci-fi puzzler turns on nothing less than the potential displacement of humans by artificially intelligent cyborgs.

Then again, maybe the film is just another riff on the battle of the sexes.

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Movie Reviews
5:03 pm
Thu February 5, 2015

In 'The Voices,' The Dog And The Cat Talk, But The Film Says Little

Fiona (Gemma Arterton) and Jerry (Ryan Reynolds) in The Voices.
Lionsgate

A serial-killer spoof set in a parody of small-town U.S.A., The Voices wants desperately to be bizarre. But it manages just to be a little odd, and that's mostly because its vision of American gothic was crafted on a German soundstage by a Franco-Iranian director.

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Movie Reviews
10:03 am
Fri January 2, 2015

Murder, Cows And Bad Funerals In The Absurd Comedy Of 'Li'l Quinquin'

Quinquin.
Kino Lorber

Originally published on Fri January 2, 2015 10:16 am

Although set in Bruno Dumont's home region of northern France, L'il Quinquin finds the writer-director in unexpected territory. The film is a arguably Dumont's first comedy, and was made as a four-part TV miniseries.

Yet with its relaxed pacing, inconclusive plot and elegant widescreen cinematography, the movie doesn't feel much like TV. And its humor is less a matter of overt gags than bemused attitude, which shows that the Dumont of Humanite and Hors Satan has barely relocated at all.

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Movie Reviews
1:25 pm
Fri December 5, 2014

A 'Wild' Trek Made A Bit Too Neatly

Reese Witherspoon plays Cheryl Strayed in Wild.
Anne Marie Fox Fox Searchlight Pictures

With a backstory that includes heroin use and zipless you-know-whats, Wild is a daring foray for its star and producer, the usually prim Reese Witherspoon. As an excursion into the untamed stream of human consciousness, however, the movie is less bold.

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Music Reviews
5:03 pm
Thu November 13, 2014

The Slow-Talking 'Foxcatcher' Goes Long And Comes Up Short

Steve Carell plays John du Pont in Foxcatcher.
Scott Garfield Sony Pictures Classics

Originally published on Thu November 13, 2014 8:17 pm

The rich are different from you and me. They talk more slowly.

Speaking ... like ... this isn't the entire extent of Steve Carell's impersonation of John du Pont in Foxcatcher, which fictionalizes an odd case from the 1990s. The actor is also outfitted with a prosthetic nose that recalls the beak of his cartoon alter ego, Despicable Me's Gru.

"Most of my friends will call me 'Eagle,' or 'Golden Eagle,' " John claims, but he looks more a sedated canary.

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Movie Reviews
6:29 am
Sat November 8, 2014

In 'The Theory Of Everything,' Science Takes A Back Seat

Eddie Redmayne plays astrophysicist Stephen Hawking in The Theory of Everything.
Liam Daniel Focus Features

Originally published on Mon November 10, 2014 8:48 am

British science is having a cinematic moment, with The Theory of Everything now and The Imitation Game soon. Yet neither film has much science in it. These accounts of Stephen Hawking and Alan Turing, respectively, are engaging and well-crafted but modeled all too faithfully on old-school romantic dramas.

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Movie Reviews
12:17 pm
Thu October 30, 2014

In 'Goodbye To Language,' Jean-Luc Godard Seeks New Ways To Make Pictures

Jean-Luc Godard's dog Roxy appears in his new film, Goodbye To Language.
Kino Lorber

Even the most ordinary movies can be seductive, as Jean-Luc Godard knows all too well. In the 1960s, he was besotted with American commercial cinema, even as he rejected the U.S. policies that led it to make war in Vietnam.

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Movie Reviews
2:03 am
Fri October 24, 2014

'Life Of Riley,' Alain Resnais' Final Film, Bids A Sunny Adieu

Hippolyte Girardot and Sabine Azéma play spouses in Life of Riley.
Kino Lorber

There are as many mysteries in Alain Resnais' final film, Life of Riley, as there are in the movies that made his reputation almost 60 years ago. But where Hiroshima, Mon Amour and Last Year at Marienbad were shadowed by history, this sunny adieu is set in a series of make-believe gardens.

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Movie Reviews
5:03 pm
Thu October 16, 2014

'The Golden Era' Follows A Path From Northern China To Tokyo

Shaofeng Feng and Wei Tang in The Golden Era.
China Lion Film Distribution

Originally published on Fri October 17, 2014 9:55 am

Director Ann Hui's The Golden Era tells of a female novelist and poet who lived in, as the Chinese curse puts it, "interesting times": from 1911 to 1942. Simultaneously sweeping and intimate, the three-hour drama overcomes many of the usual difficulties of depicting writers on screen. But it can't finesse one major impediment for Western viewers: Few of them know anything of its heroine, Xiao Hong.

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