Lourdes Garcia-Navarro

Lulu Garcia-Navarro is the host of Weekend Edition Sunday. She is infamous in the IT department of NPR for losing laptops to bullets, hurricanes, and bomb blasts.

Before joining the Sunday morning team, she served an NPR correspondent based in Brazil, Israel, Mexico, and Iraq. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage, and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, an Edward R. Murrow Award from the Corporation for Public Broadcasting, and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement. She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton. She has also won awards for her work on migration in Mexico and the Amazon in Brazil.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-September 11 events in Afghanistan and developments in Jerusalem. She was posted for the AP to Iraq before the U.S.-led invasion, where she stayed covering the conflict.

Garcia-Navarro holds a Bachelor of Science degree in International Relations from Georgetown University and an Master of Arts degree in journalism from City University in London.

American museums — their boards, their staffs, the people who visit them — are far more white than the American population as a whole. It's a problem that can affect museums' bottom lines, but it also seems to be in direct contradiction with many of these institutions' missions to spread knowledge and wonder far and wide.

When Hurricane Harvey hit Houston in August, Tosha Atibu and her husband Atibu Ty Ty were asleep in their home with their children. A neighbor woke them up to tell them the water was rushing up the street.

"It was really scary situation. ... the water was coming in from the front yard, from the back yard, flooding everywhere. We had to act immediately," Tosha Atibu says.

Just off a Houston freeway, in a strip mall with an Indian tailor and South Asian grocery store, is a small restaurant with an out-size reputation. It's called Himalaya and its chef and owner is a Houston institution.

Chef Kaiser Lashkari is a large man with a bushy salt-and-pepper mustache. He's constantly in motion — greeting clients, inspecting steaming dishes carried by busy waiters, calling out to his wife overseeing the kitchen. He offers us food before we've even sat down.

The recent cultural reckoning over sexual assault and harassment has highlighted the dangers women face in workplaces throughout Hollywood, media organizations and in public office. The growing number of accusations has put a spotlight on high-profile men's abuse of power, many times with white men being accused by white women. But what about stories from women of color?

Karen Attiah, The Washington Post's global opinions editor, tells NPR's Lulu Garcia-Navarro the current conversation surrounding sexual harassment largely excludes women of color who are victims.

It's that time of year — Sugar Plum fairies dancing in delight, the Mouse King, a gorgeous Christmas party, a prince, and that instantly recognizable music.

The Nutcracker ballet is a beloved holiday perennial, but Wicked author Gregory Maguire's new novel Hiddensee — which is based on the Nutcracker tale — is not exactly meant for the kiddos. It tells the backstory of the powerful toymaker, Herr Drosselmeier, who gives the Nutcracker to Clara.

In a new hour-long special, "Sexual Harassment: A Moment of Reckoning," Weekend Edition Sunday host Lulu Garcia-Navarro takes a deep dive into a national conversation that is growing louder by the day.

In the new movie Wonder, Julia Roberts plays the mother of a child named August Pullman who was born with severe facial differences. It's prevented Auggie from going to a mainstream school until now, when he's about to enter fifth grade at the local elementary school.

Wonder is based on a novel of the same title by R.J. Palacio. Roberts says she was attracted to the project because she loved the book, and shared it with her three children.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

LULU GARCIA-NAVARRO, HOST:

Time now for the Call-In. This week we asked you for your stories about living on a hundred-thousand dollars a year.

UNIDENTIFIED MAN #1: Hello.

UNIDENTIFIED WOMAN #1: Hello.

KRIS WATERIS: Hi, my name is Kris Wateris (ph).

Writer Tracy Baptiste was born in Trinidad where she grew up on fairy tales and the spoken folk tales of the island, including stories about creatures called jumbies. The mythical monsters inspired her to write her own Caribbean folk tale for middle schoolers.

You scroll through your friend's Instagram feed and see the most beautiful setting, and think: "I want to go there." And so you do.

According to travel photographer Brent Knepper, you are part of the problem.

In The Outline's article "Instagram is Loving Nature to Death," Knepper says that thanks to the photo sharing app, some of the best-kept secrets of the natural world are drawing big crowds and literally altering the landscape.

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