Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

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Monkey See
11:41 am
Wed October 8, 2014

Pop Culture Happy Hour, Small Batch: 'Twin Peaks' Returns

Sherilyn Fenn and Kyle MacLachlan starred in the original run of Twin Peaks. MacLachlan is rumored to be reprising the role of FBI Special Agent Dale Cooper in the new episodes.
ABC Photo Archives Getty Images

Regular PCHH listeners know that our own Glen Weldon is a big fan of Twin Peaks, so we knew that he would be excited to sit down and talk about the big news that it's returning to Showtime for nine new episodes, picking up the story 25 years later.

He and Stephen Thompson therefore sat down for a chat about where the show might be going from here, why Glen believes having both original creators on board is so important, and which two favorites from public television he imagines when he thinks about their collaborative process.

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Monkey See
10:58 am
Wed October 8, 2014

Cameron Esposito And The Comedy Of Confidence

The opening track on Cameron Esposito's new album, Same Sex Symbol, is an accelerating and elegant display of something often in short supply in great comedy: confidence.

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Monkey See
12:16 pm
Tue October 7, 2014

'The Flash' Winks At History And Keeps Its Superhero Tone Light

After being struck by lightning, Barry Allen (Grant Gustin) realizes he's gained super speed and takes on the persona of the Flash.
The CW

The most telling feature of the CW's new superhero drama The Flash is the casting of John Wesley Shipp as the tragically and wrongfully imprisoned father of Barry Allen (Grant Gustin), who in the opening hour becomes The Flash.

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Monkey See
11:02 am
Tue October 7, 2014

Pop Culture Happy Hour, Small Batch: 'House Hunters International'

NPR

Do you fantasize about living in Hong Kong or Paris or on an Australian beach? And do you wonder whether you could fit it into your budget? And do you wonder how you would resolve petty little conflicts with your spouse or partner or roommate about being near work versus having a pool?

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Monkey See
11:28 am
Fri October 3, 2014

Please Don't Judge John Mulaney By 'Mulaney'

Martin Short and John Mulaney in FOX's Mulaney.
Ray Mickshaw FOX

Originally published on Fri October 3, 2014 3:22 pm

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Monkey See
9:23 am
Fri October 3, 2014

Pop Culture Happy Hour: Denzel Washington And 'Gilligan's Island'

NPR

Originally published on Fri October 3, 2014 11:20 am

The Equalizer, starring Denzel Washington in the kind of role (the "Sad Jedi," as our own Chris Klimek put it in his terrific review) that Liam Neeson has been specializing in for several years, hit theaters last weekend. It made a lot of money, and that got us thinking: How does this fit into the larger arc of Denzel Washington?

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Monkey See
4:38 pm
Thu October 2, 2014

The Overworked 'Bad Judge' Still Doesn't Work

Kate Walsh as Rebecca in NBC's Bad Judge.
John Fleenor NBC

The bummer about Bad Judge, a comedy premiering Thursday night on NBC, is that Kate Walsh is funny. There's a particular moment when she decides to sing something she's just said, and just in that brief moment, she's legitimately funny.

But boy, she is stuck in a stinker here, a show that they've substantially revamped from the weak original pilot until it still isn't very good, but now it doesn't even make any sense.

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Monkey See
2:13 pm
Thu October 2, 2014

'A To Z': Not A Great Romantic Comedy Yet, But Give It A Letter Or Two

Cristin Milioti as Zelda, Ben Feldman as Andrew in NBC's A to Z.
Jessica Brooks NBC

We've been over this point before: particularly with comedy, it can be hard to tell from a pilot what the show is going to be like. But when you've seen a few, you can sometimes tell the difference between fundamentally misbegotten projects, like the ABC romantic comedy Manhattan Love Story, and fundamentally functional shows that have kinks to work out, like the NBC romantic comedy A To Z.

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Monkey See
8:45 am
Thu October 2, 2014

Adam Sandler Signs Up With Netflix For 4 New Movies

Adam Sandler, seen here at the recent premiere of Jason Reitman's Men, Women & Children, probably didn't mean it when he said he signed on with Netflix because it rhymes with "wet chicks."
Frazer Harrison Getty Images

Originally published on Thu October 2, 2014 10:02 am

Netflix has thus far found its highest-profile successes in original content by competing with award-ready premium television with Orange Is the New Black and House of Cards.

But there's more to running a network than winning awards, and the reminder of that came this morning with an announcement that Netflix has made a deal to be the exclusive home of four movies to star and be produced by Adam Sandler.

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Monkey See
12:21 pm
Tue September 30, 2014

The Strange, Split 'Selfie' Pilot

Social Media superstar Eliza Dooley has 263,000 followers who hang on to her every post, tweet and selfie. But she needs help from Henry (John Cho).
Nicole Wilder ABC

The pilot of the ABC show Selfie, starring Karen Gillan and John Cho in a Pygmalion update built on the notion that being obsessed with Twitter is the new Flawed But Fixable Personality Problem, is only about 22 minutes long — a little less. Given that pilots always have to contain a certain amount of pure exposition, that barely seems like enough time for the pilot to have both good parts and bad parts.

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