Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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NPR Story
4:34 am
Tue December 17, 2013

New Owner Promises Handmade Steinways For Years To Come

Some Steinway company representatives and employees — like Wally Boot, pictured here — have been working for the company for decades. Boot is the last person to touch every piano that leaves the factory in Queens, N.Y.
Craig Warga Bloomberg/Getty

Originally published on Wed December 18, 2013 12:30 am

For 160 years, the pianos made by Steinway & Sons have been considered the finest in the world. So when hedge fund billionaire John Paulson recently bought the company, it struck fear in the hearts of musicians: Would the famously handcrafted pianos be changed, for the sake of efficiency? Paulson, who owns several Steinways himself, says nothing will change.

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Monkey See
3:28 pm
Mon December 9, 2013

When 'Hit List' Got Another Shot At An Audience

Jeremy Jordan, who anchored one of Smash's storylines in Season 2, returned to the material at New York's 54 Below for a concert version of the musical his songwriter character was writing on the NBC show.
Cindy Ord Getty Images for 54 Below

Originally published on Mon December 9, 2013 5:19 pm

For most of its two-year run on NBC, the series Smash was pretty much a hot mess. Ostensibly about the creation of Broadway musicals, it only tangentially resembled the real thing. And its plots and characters got soapier and soapier as the show went on.

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Theater
5:42 am
Sun November 24, 2013

A Couple Of Knights (And Matinees) On Broadway

Patrick Stewart and Ian McKellen play Vladimir and Estragon in Waiting for Godot, one of two 20th-century classics they're doing in repertory this season on Broadway.
Joan Marcus

Originally published on Sun November 24, 2013 1:50 pm

Ian McKellen and Patrick Stewart have known each other for years — they were both actors at the Royal Shakespeare Company in the '60s and '70s, and both achieved broader fame through movies and television. Both were knighted by Queen Elizabeth II for their work onstage and off. And then, of course, they were cast as mortal enemies in the first X-Men film 14 years ago, and have come back to the roles of Magneto and Professor X several times since.

"We became good friends as a result of shooting multimillion-dollar adventure movies," Stewart says.

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Theater
5:11 am
Sun November 10, 2013

Here's A Wild Idea For Shakespeare: Do It His Way

Mark Rylance as Olivia (right) and Samuel Barnett as Viola in Twelfth Night. The Broadway production, which first played at London's Globe Theatre, is done in the Elizabethan tradition, with an all-male cast.
Joan Marcus

Originally published on Sun November 10, 2013 12:54 pm

This season, New York audiences have seen wildly different interpretations of Shakespeare plays. They've seen the Romeo of Orlando Bloom make his first entrance on a motorcycle; they've seen a production of Julius Caesar set in a women's prison.

Now the London-based company from Shakespeare's Globe Theatre has landed on Broadway with what seems like the most radical concept of them all: plays staged in a style Shakespeare would've recognized, with all-male casts, period costumes and live music.

Not A Museum

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Books News & Features
5:48 am
Sun October 27, 2013

Energetic, Intimate 'Letters' Reveal Private Leonard Bernstein

Composer and conductor Leonard Bernstein, shown here conducting the New York Philharmonic orchestra in 1963, was a legend in American music. Letters to and from Bernstein have been compiled into The Leonard Bernstein Letters, a new book edited by Nigel Simeone.
Express Newspapers Getty Images

Originally published on Sun October 27, 2013 2:10 pm

Leonard Bernstein was a singular American genius. One of the great orchestra conductors of the 20th Century, he was also a composer of hit musicals like West Side Story, as well as symphonies and ballets. He was a teacher and television personality — his Young People's Concerts introduced generations of children to classical music.

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Theater
4:38 pm
Tue October 22, 2013

For John Kander, A New 'Landing' At A Familiar Spot

David Hyde Pierce (center), Julia Murney and Frankie Seratch star in The Landing, a new musical from Broadway veteran John Kander, who co-wrote it with Greg Pierce. David Hyde Pierce previously starred in one of the latter collaborations between Kander and his late songwriting partner, Fred Ebb — the 2006 musical Curtains.
Carol Rosegg

Originally published on Tue October 22, 2013 8:40 pm

Broadway composer John Kander is a living legend: With his songwriting partner, the late Fred Ebb, he created the scores for the smash hit musicals Cabaret and Chicago, as well as the enduring anthem "New York, New York."

Now, at 86, Kander has a new writing partner — and a new musical, The Landing, opening off-Broadway Wednesday.

"Life Goes On"

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Deceptive Cadence
5:05 pm
Tue October 1, 2013

Chronicle Of A Death Foretold: New York City Opera Shuts Its Doors

The New York City Opera let its final curtain fall Saturday night at the Brooklyn Academy of Music in a production of Anna Nicole by Mark-Anthony Turnage.
Stephanie Berger

Originally published on Wed October 2, 2013 6:16 pm

This morning the New York City Opera announced that it was declaring bankruptcy and ceasing operations. Dubbed "The People's Opera" by Mayor Fiorello LaGuardia when it was founded 70 years ago, the company was meant as an alternative to the richer Metropolitan Opera. It's the place where exciting young singers like Beverly Sills and Placido Domingo made their New York debuts and where innovative productions of new operas premiered.

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Theater
4:51 pm
Thu September 26, 2013

An American Masterpiece, And A 'Menagerie' Of Stars

In a Broadway transfer of the American Repertory Theatre's acclaimed production of The Glass Menagerie, Cherry Jones plays Amanda, mother to the very troubled Laura (Celia Keenan-Bolger). The play cemented Tennessee Williams' reputation as an American original when it premiered in 1945.
Michael J. Lutch

Originally published on Thu September 26, 2013 7:19 pm

Pop-culture aficionadoes will know Zachary Quinto as Spock in the cinematic reboot of Star Trek, and Cherry Jones as President Taylor from television's 24.

But both are accomplished stage actors as well. And tonight, they're opening on Broadway, in a revival of Tennessee Williams' classic play The Glass Menagerie.

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Deceptive Cadence
5:18 pm
Tue September 10, 2013

New York City's 'People's Opera' May Face Its Final Curtain

Pamela Armstrong (left) as Alice Ford and Heather Johnson as Meg Page in New York City Opera's production of Falstaff. The so called people's opera may have to cancel its upcoming season if fundraising falls short.
Carol Rosegg New York City Opera

Originally published on Tue September 10, 2013 10:15 pm

There are a lot of operas that end with heroines on their deathbeds, singing one glorious aria before they die. That's what happens at the end of Anna Nicole, the controversial new work that New York City Opera is presenting at the Brooklyn Academy of Music in September. But the company's artistic director and general manager, George Steel, says it could also be City Opera's last gasp.

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Theater
5:20 pm
Fri September 6, 2013

'Mr. Burns' And Friends, Surviving Long Past The End Times

Who's That Masked Marge? Jennifer R. Morris (left), with Sam Breslin Wright, Gibson Frazier, Colleen Werthmann and Susannah Flood, in the third act of Mr. Burns: A Post-Electric Play, a Simpsons-inspired fantasia of loss and remembrance by Anne Washburn.
Joan Marcus Playwrights Horizons

Originally published on Fri September 6, 2013 6:11 pm

If the world as we know it comes to an end, will art survive? And if it does, what kinds of stories will be told after the apocalypse? The answer might surprise you.

The lights come up on a group of people around a campfire in the woods, trying to recall all the details of the hilarious Simpsons episode "Cape Feare," a parody of the Robert Mitchum and Robert De Niro movies, in which Bart Simpson is stalked by the evil but incompetent Sideshow Bob.

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