Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

The last time New York's Metropolitan Opera presented a work written by a woman was 113 years ago. It's a drought that lasted longer than the years between the Cubs' World Series victories. That situation has finally been rectified this week with the New York premiere of the opera L'Amour de Loin by Finnish composer Kaija Saariaho.

Christmas is coming, and soon TV screens everywhere will light up with that 1946 holiday classic, It's a Wonderful Life. But the same story is coming a little early to the stage of the Houston Grand Opera. That's right: An operatic version of George Bailey's struggle with life and death opens this Friday.

Librettist Gene Scheer admits that adapting such a beloved movie has sometimes felt like a fool's errand. "It's almost secular scripture, this piece," he says. "Everyone knows all the lines."

Decades before he became a best-selling children's book author, Dr. Seuss, a.k.a. Theodor Geisel, created a series of sculptures he called his "Unorthodox Taxidermy." Using real horns, beaks and antlers, he fashioned whimsical creatures which look like they jumped right out of his books.

A traveling show of replicas, called "If I Ran the Zoo", has landed at a gallery in Long Island. Today we bring you that story (how else?) in verse:

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If you talk to cops about people's reaction to videos of police shootings, they say people just don't understand how policing really works. And the reason, they say, is that most of what people know about policing comes from movies, books and TV.

There are few living theater directors who can convince audiences to stay up all night watching the staging of a Sanskrit poem. But 30 years ago, director Peter Brook did just that. He put on what came to be known as one of the great theater events of the 20th century: The Mahabharata. It was nine hours long, and it was epic.

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The best way to enjoy this next story is if you listen through headphones. It's about "The Encounter," a new Broadway show. It uses three-dimensional sound effects to take the audience deep into the Amazon. Jeff Lunden reports.

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Edward Albee, the three-time Pulitzer Prize-winning playwright of Who's Afraid of Virginia Woolf? among many others, died Friday at the age of 88 following a short illness, according to his longtime personal assistant.

Yesterday in New York, something very big happened outside Lincoln Center: One thousand people gathered to sing a new piece by Pulitzer Prize-winning composer David Lang. Entitled the public domain, it was a celebration of the 50th anniversary of the Mostly Mozart festival.

Miles Salerni, a 25-year-old percussionist, is one of this year's elite instrumental Fellows at Tanglewood, the Boston Symphony Orchestra's summer home in the Berkshires in western Massachusetts. But it took him a while to get there — five tries, to be exact.

Many audition for this prestigious training program, but few are selected. When Salerni got rejected for the third time, he knew he had to find another way to get to Tanglewood.

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