Glen Weldon

Glen Weldon is a regular panelist on NPR's Pop Culture Happy Hour podcast. He also reviews books and movies for NPR.org and is a contributor to NPR's pop culture blog Monkey See, where he posts weekly about comics and comics culture.

Over the course of his career, he has spent time as a theater critic, a science writer, an oral historian, a writing teacher, a bookstore clerk, a PR flack, a seriously terrible marine biologist and a slightly better-than-average competitive swimmer.

Weldon is the author of Superman: The Unauthorized Biography, a cultural history of the iconic character. His fiction and criticism have appeared in The New York Times, The Washington Post, The New Republic, The Atlantic, Slate, Story, McSweeney's, The Dallas Morning News, Washington City Paper and many other publications. He is the recipient of an NEA Arts Journalism Fellowship, a Ragdale Writing Fellowship and a PEW Fellowship in the Arts for Fiction.

This post discusses events of Sunday night's episode of HBO's Game of Thrones, "Battle of the Bastards."

Fans of Game of Thrones, and the book series on which it is based, like to compare the moral universe created by author George R.R. Martin to that of his literary predecessor, J.R.R. Tolkien.

Tolkien's Lord of the Rings is black and white, they say — a place where pure, unremitting Eeeeeee-vil threatens pure, noble-hearted Good.

Last Friday, six members of the "vertical dance troupe" BANDALOOP marked the grand opening of a new 17-story building in Boston's Seaport District by suspending themselves from wires and dancing against its side.

Actually "dancing" doesn't quite cover it.

The performance is beautiful: they weave, undulate and soar with a muscular grace.

The mechanics of DC Comics' latest relaunch of its superhero line — precisely which books are returning to their original numbering, and the fact that several titles will now be published twice monthly, etc. — have engendered much discussion among retailers and collectors.

But let's talk big picture.

It is a truth universally acknowledged that superhero universes periodically reshuffle their narrative decks. The in-story explanations differ in often tortuous ways, but the only true driver is sales. Or, rather, a lack of them.

Tonight the game show To Tell the Truth returns to television on ABC, hosted by Black-ish star Anthony Anderson. It's proven a surprisingly scrappy, long-lived, battle-scarred veteran of show: since its first run on CBS from 1956 to 1968, there have been three different syndicated versions of TTtT, plus a brief one-year run on NBC (1990-91).

My wife's the reason anything gets done

She nudges me towards promise, by degrees

She is the perfect symphony of one

Our son is her most beautiful reprise

We chase the melodies that seem to find us

Until they're finished songs, and start to play

When senseless acts of tragedy remind us

That nothing here is promised, not one day

This show is proof that history remembers

Free Comic Book Day

Free Comic Book Day, the comics industry's yearly attempt to bring new readers into the fold, is 15 years old. It's a peevish teen that smells of Speed Stick and Clearasil and a practiced, performative surliness. It demands that you drop it off a block away from school.

For the past eight years, I've written a preview of the comics on offer on Free Comic Book Day for NPR. So I'm kind of like Free Comic Book Day's annoying third-grade little brother, always chasing after him and telling everyone how cool he is.

Yesterday the Library of Congress named graphic novelist Gene Luen Yang as its fifth National Ambassador for Young People's Literature. Here's why that matters.

The End Of The Tour is an odd little film, made more so by the fact that it's being rolled out at the height of summer, a span of the cinematic year not generally associated with talky two-handers about writers, writing and the wages of literary fame.

Well, that is a thing that happened.

Fantastic Four came out last weekend, only to encounter less-than-stellar reviews and box office. Our own Chris Klimek saw it for NPR.org and summed up its squandered potential with his usual nerd-cred eloquence, so I sat down with him for Pop Culture Happy Hour to discuss what went wrong and why.

[Deep breath.]

So there's this new English translation of a French graphic novel adaptation of Swann's Way, the first of seven novels in Marcel Proust's masterwork, In Search of Lost Time.

Got all that? First there was the 1913 novel by Proust (in French!), then a graphic novel adaptation by Stephane Heuet (in French!) that was published in installments between in 1998 and 2013, and now that whole thing has been translated by Arthur Goldhammer (into English!).

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