Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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Movie Reviews
1:13 pm
Fri March 21, 2014

Addicted To Sex, But Not Really Having Much Fun

Stacy Martin (right, with Sophie Kennedy Clark) plays the younger version of Charlotte Gainsbourg's sex-addict protagonist in Lars von Trier's Nymphomaniac — a study of sex and intimacy that's calculated, characteristically for this director, to provoke.
Christian Geisnaes Magnolia Pictures

Originally published on Sat March 22, 2014 8:47 pm

Danish filmmaker Lars von Trier has found all sorts of ways to provoke moviegoers in the past — with metal spikes in Antichrist, by ignoring narrative conventions in Dogville, by presenting depression as the only reasonable reaction to the world as we know it — and then destroying that world — in Melancholia. And as if this last weren't enough, he told a Nazi joke to a crowd prepared to shower him with adulation at Cannes.

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Movie Reviews
5:03 pm
Thu March 13, 2014

Middle-Aged Souls Channel Teen Rebellion, Just For A 'Week-End'

A middle-aged British couple (Lindsay Duncan and Jim Broadbent) attempts to re-create the sizzle of their Paris honeymoon in Le Week-End, from director Roger Michell.
Music Box Films

Originally published on Fri March 14, 2014 6:33 pm

Nick and Meg have gotten into a bit of a rut in Le Week-End, and to get out of it they're "celebrating" — if that's the word — their 30th anniversary by heading back to a city they last saw on their honeymoon. Nick has even booked a room in the same hotel — which is not, alas, quite the way Meg remembers it. "Beige," she sniffs.

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Movie Reviews
4:09 pm
Fri March 7, 2014

Review: 'The Grand Budapest Hotel'

Originally published on Fri March 7, 2014 7:29 pm

Transcript

MELISSA BLOCK, HOST:

Filmmaker Wes Anderson makes movies that are eccentric, pointedly artificial and, to his fans, very funny. From his early comedies "Rushmore" and "The Royal Tannenbaums," to last year's Oscar-nominated "Moonrise Kingdom," Anderson's movies have looked and sounded different from everyone else's in Hollywood. And critic Bob Mondello says that streak continues with his spoof of extravagant 1930s melodramas. It's called "The Grand Budapest Hotel."

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Remembrances
4:29 pm
Mon March 3, 2014

Alain Resnais, Director And Master Of Disorientation, Dies At 91

Originally published on Mon March 3, 2014 7:19 pm

Transcript

MELISSA BLOCK, HOST:

This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block.

AUDIE CORNISH, HOST:

And I'm Audie Cornish.

The French filmmaker who shook up European cinema and offered inspiration to directors as varied as Woody Allen and David Lynch died on Saturday. Alain Resnais caused a sensation with his films "Hiroshima Mon Amour" and "Last Year at Marienbad" in the 1950s and '60s. Critic Bob Mondello offers an appreciation.

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Movie Reviews
5:31 pm
Thu February 27, 2014

A Meet-Cute Romance With A Delicious Twist

Ila (Nimrat Kaur) is a Mumbai housewife who accidentally begins a correspondence with another man when the lunch she packs for her own husband goes astray.
Sony Pictures Classics

Originally published on Thu February 27, 2014 7:57 pm

When people talk about Bollywood movies, they usually mean Indian romances with extravagant musical numbers. But there are smaller Indian films, too, and one that has earned international acclaim at film festivals is opening tomorrow in major U.S. cities. It's called The Lunchbox.

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Remembrances
5:11 pm
Mon February 24, 2014

Harold Ramis: A Big-Screen Comedy Nerd, Eager To Please

Ghostbusters, starring Bill Murray, Dan Aykroyd and Harold Ramis, was one of Ramis' many successful comedies. The writer, director, actor and producer died Monday; he had co-written and planned to star in the long-awaited Ghostbusters III.
Corus Entertainment / Sony Pictures

Originally published on Mon February 24, 2014 8:02 pm

Harold Ramis, who died Monday at 69, helped create such hits as Animal House, Ghostbusters, Groundhog Day, Caddyshack, Meatballs and others. And he brought an impish spirit to all of them.

Onscreen he was a big smiling lug: shaggy, upbeat, cheery. He was almost always a supporting player, but invariably a forceful one you really couldn't ignore.

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Movie Reviews
6:58 pm
Thu February 20, 2014

One Conflict, One Wall, Two Sides Of The Arab-Israeli World

Omar (Adam Bakri) is a Palestinian baker and secret informant who braves the wall that splits his community to visit his lover, Nadia (Leem Lubany) in the Oscar-nominated film Omar.
Adopt Films

Originally published on Tue February 25, 2014 5:27 pm

American art-house audiences are being offered an intriguing exercise in double vision over the next couple of weeks: two movies about Palestinian informants and their complicated relationships with Israel's secret service, one directed by a Palestinian, the other by an Israeli. Their similarities turn out to be nearly as intriguing as their differences.

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Movie Reviews
7:16 pm
Thu February 6, 2014

Plenty Of Heart, Not Much Art In 'Monuments Men'

Frank Stokes (George Clooney), Walter Garfield (John Goodman) and Sam Epstein (Dimitri Leonidas) are part of a World War II platoon ordered to rescue stolen art from the Nazis in The Monuments Men, directed by George Clooney.
Claudette Barius Courtesy of Columbia Pictures

Originally published on Fri February 7, 2014 9:04 pm

There's a fascinating tale to be told in The Monuments Men, George Clooney's new film based on the true story of a search for looted art stolen by the Nazis during World War II. In real life, with fighting still raging on the battlefields of Europe, a small team of art experts searched urgently for tens of thousands of missing paintings and sculptures. The movie's audience will search for something a little different.

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Movies
4:50 pm
Mon February 3, 2014

On Philip Seymour Hoffman, And His Many Appearances

Philip Seymour Hoffman at a screening of The Master, for which he was nominated for an Academy Award, during the 2012 Venice Film Festival.
Gabriel Bouys AFP/Getty Images

Originally published on Mon February 3, 2014 8:16 pm

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Movies
5:18 pm
Sun February 2, 2014

A Century Ago Today, Chaplin Made His Film Debut — In A Dud

Silent-film icon Charlie Chaplin, in character as the Little Tramp, takes aim with his walking stick circa 1925.
Edward Gooch Getty Images

Originally published on Sun February 2, 2014 6:42 pm

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