Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his husband have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

A movie about high school students dealing with mortality — haven't we been dipping into that well a lot lately? So the surprise was the laughs when Me and Earl and The Dying Girl became the surprise smash at this year's Sundance Film Festival, taking both the Audience Award and the Grand Jury Prize. Here was a film that managed to be at once earnest and flip, capturing teen angst without wallowing in teen drama.

The crevices in Charlie's careworn face look as deep as any in the Australian outback when we first spy him in Charlie's Country. He's sitting in a government-provided tin-roofed shack on territory where his aboriginal ancestors once roamed free. Where he once roamed free, in fact.

With Spy topping Hollywood's box-office charts this weekend, Melissa McCarthy becomes the latest woman to head a major box-office hit in 2015. And while that merely puts her in good company this year, it's hardly been common in the past.

The title Mad Love in New York City makes Arielle Holmes' memoir sound like a fun summer read. It's actually a story of homelessness and heroin addiction that has inspired a movie, Heaven Knows What, with a backstory precisely as fraught as what happens on screen.

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When a Broadway musical feels as effortlessly right as Alan Jay Lerner and Frederick Loewe's did to audiences in 1956, it's easy to imagine that it simply sprang to life that way. Not My Fair Lady. The musical, based on George Bernard Shaw's Pygmalion, is filled to bursting with some of the best-known songs in Broadway history — "The Rain In Spain," "Wouldn't It Be Loverly," "On the Street Where You Live" — but it turns out the show originally had other tunes that almost nobody knows.

A film critic doesn't often have to review movies about film critics — probably a good thing — but sometimes, as with Hernán Guerschuny's postmodern rom-com The Film Critic (El crítico), there's nothing to be done. That's also a good thing, as it turns out.

Genre flicks on steroids — that's the general rule for this time of year, whether we're talking superheroes, supercharged cars, or romance — and in that context, the lush, overstuffed costume epic, Far From the Madding Crowd is a perfect fit.

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Longtime NPR contributor Pat Dowell died Sunday after a long illness. She was 66. Pat covered film for nearly 30 years. Our critic Bob Mondello remembers his late colleague.

It's 1992, shortly after the fall of the Soviet Union in the Oscar-nominated Tangerines, and in a bleak, northwest corner of the Republic of Georgia called Abkhazia, the world has more or less come apart. Warring factions — Chechen separatists, Georgian troops — patrol rural roads in jeeps outfitted with bazookas and machine guns. The locals have mostly fled for more urban areas.