Kevin Whitehead en The Westerlies Come On Home With Horvitz The Westerlies is a quartet of young New York brass players who know each other from school days in Seattle. Their debut album is a set of pieces by Seattle-based composer and improviser Wayne Horvitz. Jazz critic Kevin Whitehead says Horvitz and the Westerlies are a perfect fit. <div class="fullattribution">Copyright 2014 NPR. Mon, 07 Jul 2014 17:20:00 +0000 Kevin Whitehead 54397 at Remembering Horace Silver, Hard Bop Pioneer Jazz pianist, bandleader and composer <a href="">Horace Silver</a> died Wednesday at age 85. <em>Fresh Air</em> critic Kevin Whitehead says that Silver had been off the scene awhile, but his influence is as strong as ever. Hear an appreciation. <div class="fullattribution">Copyright 2014 NPR. To see more, visit<img src=""/></div><p> Fri, 20 Jun 2014 19:00:00 +0000 Kevin Whitehead 53343 at A Double Dose Of Ronald Shannon Jackson's Free-Funk Two fine albums by drummer Ronald Shannon Jackson and the Decoding Society, <em>Man Dance</em> and its sequel <em>Barbeque Dog</em>, are now available again as downloads, after being out of print for ages. Fresh Air critic Kevin Whitehead says they're prime examples of the 1980s' so-called "free-funk" movement. <div class="fullattribution">Copyright 2014 NPR. Wed, 18 Jun 2014 19:06:00 +0000 Kevin Whitehead 53185 at Jazz Pianist Ted Rosenthal Has A Feel For Gershwin Transcript <p>DAVE DAVIES, BYLINE: This is FRESH AIR. Ted Rosenthal an early winter of the Thelonious Monk Piano Competition has played George Gershwin's "Rhapsody In Blue" solo and with symphonic and jazz orchestras. Now he's recorded a version for jazz trio as part of the problem. Jazz critic Kevin Whitehead says Rosenthal has a real feel for the material.<p>(SOUNDBITE OF SONG, "RHAPSODY IN BLUE")<p>KEVIN WHITEHEAD, BYLINE: As familiar as Gershwin's "Rhapsody In Blue" is you can overlook how radical it sounded. Fri, 30 May 2014 15:47:00 +0000 Kevin Whitehead 51980 at In 1970, Miles Davis Played Four Sets For A New Audience Transcript <p>DAVE DAVIES, HOST: <p>In June 1970, Miles Davis played four nights at New York's rock palace Fillmore East, following earlier appearances there and at San Francisco's Fillmore West. A complete recording of all four of those June sets are now available for the first time.<p>Jazz critic Kevin Whitehead says the jazz trumpeter had gone to the Fillmore in search of a new audience.<p>UNIDENTIFIED MAN: Good evening. With great pleasure, Mr. Fri, 16 May 2014 16:05:00 +0000 Kevin Whitehead 51082 at After A Painful Year, Bud Powell's Triumpant 1953 Return The great bebop pianist <a href="">Bud Powell</a> played several engagements at the New York jazz club Birdland in 1953. Parts of his shows were broadcast on the radio, and one listener recorded some onto acetate discs. A new collection of those recordings is out now: <em>Birdland 1953</em> on three CDs from <a href="" target="_blank">ESP-Disk'</a>. The sound quality isn't much, but the music is terrific. Mon, 24 Mar 2014 18:13:00 +0000 Kevin Whitehead 47584 at After A Painful Year, Bud Powell's Triumpant 1953 Return Still 'Out To Lunch' 50 Years Later 1964 was a great year for cutting-edge jazz records like <a href="">Albert Ayler</a>'s <em>Spiritual Unity</em>, <a href="">John Coltrane</a>'s <em>A Love Supreme </em>and <a href="">Andrew Hill</a>'s <em>Point of Departure</em>. But none sounds as far ahead of its time as <a href="">Eric Dolphy</a>'s masterpiece <em>Out to Lunch</em>, recorded for Blue Note on Feb. 25, 1964. Tue, 25 Feb 2014 19:21:00 +0000 Kevin Whitehead 45789 at Still 'Out To Lunch' 50 Years Later In Session: Frank Wess' 'Magic 201' Offers One Last Lesson <a href="">Frank Wess</a>' new album, <em>Magic 201</em>, is a sequel to last year's similar helping of ballads and midtempo strollers, <em>Magic 101</em>. The new album is very nearly every bit as good, and made a little more poignant by Wess' death just before Halloween. On his last session as a leader in 2011, he was still sounding strong at 89.<p>When Wess was coming up, his hero was the dry and slippery saxophonist <a href="">Lester Young</a>, who gave him a few pointers. Tue, 11 Feb 2014 20:43:00 +0000 Kevin Whitehead 44846 at In Session: Frank Wess' 'Magic 201' Offers One Last Lesson Too Much Of A Good Thing? Jane Ira Bloom's Beautiful Ballads When soprano saxophonist <a href="">Jane Ira Bloom</a> plays <a href="">Kurt Weill</a>'s "My Ship" on her new album <em>Sixteen Sunsets</em>, a pale glow around her notes comes from a simple special effect: pointing her horn under the hood of a piano whose strings are free to resonate. Bloom has always been preoccupied with sound, and has one of the prettiest, clearest tones around on soprano. Fri, 31 Jan 2014 21:08:00 +0000 Kevin Whitehead 44135 at Too Much Of A Good Thing? Jane Ira Bloom's Beautiful Ballads Lafayette Gilchrist: An Old Soul, At Ease In A Modern World For someone who came to piano rather late, at 17, <a href="">Lafayette Gilchrist</a> has dug deep into its history. He loves the old piano professors who'd pack the punch of a dance band into two hands at the keyboard. Players like Eubie Blake, <a href="">James P. Johnson</a> and <a href="">Willie "The Lion" Smith</a> could keep going for hours without exhausting their folkloric materials. Mon, 20 Jan 2014 17:02:00 +0000 Kevin Whitehead 43367 at Lafayette Gilchrist: An Old Soul, At Ease In A Modern World